Enya - Tuyển tập các Album, bác visaotoidien khen hay

Watermark

1. Watermark
2. Cursum Perficio
3. On Your Shore
4. Storms In Africa
5. Exile
6. Miss Clare Remembers
7. Orinoco Flow
8. Evening Falls…
9. River
10. The Longships
11. Na Laetha Geal M'óige

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The Celts

1.The Celts
2. Aldebaran
3. I Want Tomorrow
4. March of the Celts
5. Deireadh an Tuath
6. The Sun in the Stream
7. To go Beyond (I)
8. Fariytale
9. Epona
10. Triad: St. Patrick Cú Chulainn Oisin
11.Portrait (Out of the Blue)
12. Boadicea
13. Bard Dance
14. Dan y Dwr
15. To go Beyond

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Shepherd Moons

1.Shepherd Moons
2. Caribbean Blue
3. How Can I Keep From Singing?
4. Ebudæ
5. Angeles
6. No Holly For Miss Quinn
7. Book of Days
8. Evacuee
9. Lothlórien
10. Marble Halls
11. Afer Ventus
12. Smaointe

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Amarantine (2005)

The first album in five years from Enya follows the biggest-selling album of her illustrious career, the six-times platinum A Day Without Rain, which transcended all commercial expectations. Having sold more than 50 million albums worldwide, Enya is one of the most successful female artists of all time and second only to U2 as the biggest selling Irish artist in history.

Release Date: Nov. 22nd 2005

1.Less Than A Pearl
2.Amarantine (album version)
3.It's In The Rain
4.If I Could Be Where You Are
5.The River Sings
6.Long Long Journey
7.Sumiregusa (Wild Violet)
8.Someone Said Goodbye
9.A Moment Lost
10.Drifting
11.Amid The Falling Snow
12.Water Shows The Hidden Heart
13. Mansoon Chariot

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Watermark [1988]

Thanks to its distinct, downright catchy single "Orinoco Flow," which amusingly referenced both her record company boss Rob Dickins and co-producer Ross Cullum in the lyrics, Enya's second album Watermark established her as the unexpected queen of gentle, Celtic-tinged new age music. To be sure, her success was as much due to marketing a niche audience in later years equally in love with Yanni and Michael Flatley's Irish dancing, but Enya's rarely given a sense of pandering in her work. She does what she does, just as she did before her fame. Admittedly, avoiding overblown concerts run constantly on PBS hasn't hurt. Indeed, the subtlety that characterizes her work at her best dominates Watermark, with the lovely title track, her multi-tracked voice gently swooping among the lead piano, and strings like a softly haunting ghost, as fine an example as any. "Orinoco Flow" itself, for all its implicit dramatics, gently charges instead of piling things on, while the organ-led "On Your Shore" feels like a hushed church piece. Elsewhere, meanwhile, Enya lets in a darkness not overly present on The Celts, resulting in work even more appropriate for a moody soundtrack than that album. "Cursum Perficio," with her steady chanting-via-overdub of the title phrase, gets more sweeping and passionate as the song progresses, matched in slightly calmer results with the equally compelling "The Longships." "Storms in Africa," meanwhile, uses drums from Chris Hughes to add to the understated, evocative fire of the song, which certainly lives up to its name. Watermark ends with a fascinating piece, "Na Laetha Geal M'Oige," where fellow Irish modern/traditional fusion artist Davy Spillane adds a gripping, heartbreaking uilleann pipe solo to the otherwise calm synth-based performance. It's a perfect combination of timelessness and technology, an appropriate end to this fine album.


1 Watermark 2:24
2 Cursum Perficio 4:06
3 On Your Shore 3:59
4 Storms in Africa 4:03
5 Exile 4:20
6 Miss Clare Remembers 1:59
7 Orinoco Flow 4:25
8 Evening Falls... 3:46
9 River 3:10
10 The Longships 3:36
11 Na Laetha Gael M'Óige 3:54
12 Storms in Africa, Pt. 2 3:01

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The Memories Of Trees [1995]

No surprises here, of course — Enya didn't achieve new age superstardom by challenging anyone's expectations. This album is every bit as hushed, lovely, and soulless as everything else she's ever done; like a perfect angel food cake, it's sweet, soft, and utterly lacking in nutritive substance. There's nothing the matter with angel food cake, of course, and there's also nothing really the matter with The Memory of Trees, though its Druidic theme does smell awfully trendy (nothing was quite so hip as neopaganism in 1995), and it steers so strictly the same melodic and textural course she's been following throughout her solo career that you're tempted to wonder why anyone would want to spend the money on what amounts to a complete rehash of her earlier work. While other cultural influences play a greater part in this album, the beautiful and brooding Celtic melodies she brought with her from her earlier work with Clannad are still the primary raw materials, and her skillful use of them is still the main thing that sets her apart from the new age pack. She also has a truly lovely voice, and there's no point trying to resist the gentle charm of "China Roses" and the incantatory power of "Anywhere Is." But so little of the album lives up to the promise of these and one or two other tracks that it's hard to recommend it very enthusiastically.


1 The Memory of Trees [Instrumental & Voices] 4:18
2 Anywhere Is 3:58
3 Pax Deorum 4:58
4 Athair Ar Nearmh 3:39
5 From Where I Am [instrumental] 2:20
6 China Roses 4:47
7 Hope Has a Place 4:44
8 Tea-House Moon [instrumental] 2:41
9 Once You Had Gold 3:16
10 La Soñadora 3:35
11 On My Way Home 5:08

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Shepherd Moons [1991]

Calling Shepherd Moons a near carbon copy of Watermark puts it quite mildly. Like Watermark, Shepherd Moons opens with the title track, a calm instrumental, has another brief instrumental titled after a Dora Saint book smack in the middle ("No Holly for Miss Quinn"), and concludes with a number incorporating a striking uilleann pipes solo, "Smaointe...." In general, Enya's own musical style and work remains the same, again assisted on production by Nicky Ryan and with lyrics by Roma Ryan. Shepherd Moons does have one key factor that's also carried over from Watermark — it's quite good listening. Though the total continuity means that those who enjoy her work will again be pleased and those who dislike it won't change their minds, in terms of finding her own vision and sticking with it, Enya has increasingly polished and refined her work to a strong, elegant degree. "Caribbean Blue," the lead single, avoids repeating the successful formula of "Orinoco Flow" by means of its waltz time — a subtle enough change, but one that colors and drives the overall composition and performance, the closest Enya might ever get to a dance number. Some songs call to mind traditional Irish music even more strongly than much of her earlier work, while two other tracks are haunting rearrangements of old, traditional numbers. With her trademark understated drama in full flow many other places, especially on the wonderful "Book of Days" (replaced on later pressings with an English language version done for the film Far and Away), Enya shows herself to still have it, to grand effect.


1 Shepherd Moons 3:42
2 Caribbean Blue 3:58
3 How Can I Keep from Singing? 4:23
4 Ebudae 1:54
5 Angeles 3:57
6 No Holly for Miss Quinn 2:40
7 Book of Days 2:32
8 Evacuee 3:50
9 Lothlórien 2:08
10 Marble Halls 3:53
11 After Ventus 4:05
12 Smaointe 6:07

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A Day Without Rain [2000]

Enya's first full-length album of new material in five years (and her fourth in 12 years) will have a familiar sound to the millions who have followed her career so far. As usual, the slow songs sound like "Silent Night" being performed in a cathedral, and the less slow songs are paced by rhythm patterns that would be called pizzicato passages if they were being played on real strings instead of string-like synthesizers. Over the music, Enya sings in her multi-tracked, ethereal voice, making Roma Ryan's lyrics, which are full of pastoral imagery and abstract romantic sentiments, seem even more insubstantial than they already are. In the press materials accompanying the release, Enya explains why it took her five years to come up with less than 34 and a half minutes of music that sounds like most of her earlier music by noting that she plays all the instruments and does all the singing herself without using samples. It might be more accurate to say that there is no need for her to release albums any more frequently than she does, since each one sells over a long period of time. And since her listeners are more concerned with the mood she sets than with musical content, the similarity to her other albums is a good thing. This is music that works almost entirely as a surface pleasure; strip it of its pretensions, and it's just contemporary easy listening music.


1 A Day Without Rain 2:38
2 Wild Child 3:47
3 Only Time 3:38
4 Tempus Vernum 2:24
5 Deora Ar Mo Chroi 2:48
6 Flora's Secret 4:07
7 Fallen Embers 2:31
8 Silver Inches 1:37
9 Pilgrim 3:12
10 One By One 3:56
11 Lazy Days 3:42

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Enya - Rare Recordings

1983 - An Ghaoth On Ghrian (The Solar Wind)
1985 - Dreams, The Frog Prince
1987 - Portrait
1988 - Oíche Chiún (Silent Night)
1988 - Morning Glory
1988 - Orinoco Flow (Edit)
1989 - Eclipse
1989 - Storms In Africa (Part II)
1991 - 'S Fagain Mo Bhaile
1991 - As Baile
1991 - Oriel Window
1991 - Book Of Days (Gaeilge Lyric)
1992 - Book Of Days (English Lyric)
1994 - Ebudæ (Remix)
1995 - Anywhere Is (Edit)
1996 - On My Way Home (Remix)
1996 - I May Not Awaken
1997 - Willows On The Water
1997 - Only If...
1997 - Paint The Sky With Stars
2000 - Isobella, The First Of Autumn
2000 - The Promise
2001 - Midnight Blue
2001 - Song Of The Sandman (Lullaby)
2001 - The Council Of Elrond (Theme For Aragorn And Arwen)
2001 - May It Be
2002 - May It Be (Edit)

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The Christmas Ep (1994)



mp3 @ 192 kb/s


1 Oíche Chiún (Silent Night) 3:46
2 As Baile 4:05
3 's Fagaim No Bhaile 3:58
4 Ebudae 1:55
5 The Celts 2:55

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